Elizabeth Lide, detail of casts of domestic objects. (Photo: Jac Kuntz) |
Art Review :
A Stitch in Time: Elizabeth Lide at MOCA GA
To read the article, please go to:
http://burnaway.org/review/stitch-time-elizabeth-lide-moca-ga/
"WAP: Elizabeth Lide” is on view at the Museum of Contemporary Art of Georgia through February 11.
Jac Kuntz is an arts writer, editor, journalist, and artist living in Atlanta. She is a recent graduate of the Masters of Arts Journalism program at the School of the Art Institute of Chicago. She also holds a BA in Psychology and a BFA in Art with an emphasis in painting from Clemson University.
For more information about Clemson's BFA in Art Program and to apply, go to: http://www.clemson.edu/degrees/art.
Founded in 2008, BURNAWAY is an Atlanta-based 501(c)(3) nonprofit organization whose mission is to provide coverage of the arts in and from Atlanta and the South, to support the vibrant creative communities in our region, to increase national recognition of our region’s artists and organizations, and to foster new voices for the arts. We fulfill this mission through our online arts publication, our Art Writers Mentorship Program, the Atlanta Art Guide, writing workshops, an annual print publication, and public talks.
BURNAWAY recognizes the importance that writers and thinkers play in supporting artist communities to promote, challenge, and propel them forward. Our editorial and programmatic content strives to provide coverage that reflects the geographic, demographic, and artistic diversity of the region. BURNAWAY exists to continue the established tradition of art criticism and uphold its highest ethical and professional standards, while also exploring the potential of new media and providing a fresh identity and perspective for arts dialogue today.
Through reviews, features, interviews, and audio and video content, BURNAWAY attempts to respond to the famous challenge issued by William Faulkner:
So vast, so limitless in capacity is man’s imagination to disperse and burn away the rubble-dross of fact and probability, leaving only truth and dream. (Requiem for a Nun, 1951)To “disperse and burn away”—a statement about the nature of creativity that compels us to look beyond what merely is and envision what could be.