NOTE: This interview was originally published on HappeningCLT. HappeningsCLT provides the creative community with information about
the rich and diverse visual art scene in Charlotte and surrounding
areas. Their goal is to both highlight and serve as a resource for
artists, art professionals, art makers, & art enthusiasts. Find them at: happeningsCLT@gmail.com & @happeningsCLT
In 2016, it can be refreshing to experience the work of someone who
relies on age-old methods of creating art. You’ll find that respite in
the pencil drawings of Charlotte native
Miranda Pfeiffer.
Now living in Los Angeles, Pfeiffer creates pencil on paper drawings
whose high level of detail points to long, meditative hours of
markmaking in a studio. Although she lets most drawings stand on their
own, she also enjoys animation and gif-making and has recently delved
into applying her work to fabric. The images are portraits of mundane
objects but they have a slightly dark mood; rocks are pocked with
hundreds of tiny dark holes, a hand has six fingers, or a foot is joined
by creeping, crawling ants. Your opportunity to see the work in person
comes with her afternoon lecture (1 p.m.) and evening
opening (5 -7 p.m.) at CPCC Ross Gallery on Thursday, January 28.
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Miranda Pfeiffer, Drawing of a Crumpled Breughel, 2015. Graphite on Rives BFK, 36 x 36 inches. |
HappeningsCLT: Describe yourself in three words.
Miranda Pfeiffer: Secretly antisocial potato.
HCLT: When did you realize you were an artist?
MP: For as long as I can remember–probably since the
age of 3 or 4– I’ve called myself an artist. Strangely though, it took
me a very long time to realize not being an artist was even an option.
When I graduated from art school at 21, I was broke and nervous about my
future. That’s when I remember it finally hitting me, my career is a
choice. Sometimes it’s a hard choice, but it’s very worth it to spend my
life paying attention to life’s oddities. I wouldn’t want to ‘be’
anything else, unless it was an astronaut.
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Miranda Pfeiffer, Facing My Foot, 2015. Graphite on Rives BFK, 36 x 36 inches. |
HCLT: Who or what inspires you artistically?
MP: Too too many things to list! Pieter Bruegel the
Elder is and always has been a huge influence on me. The drawings of
Vija Celmins first showed me what I wished my drawings looked like. In
my animations, I often reference films like Michelangelo Antonioni’s Red
Desert and Spring, Summer, Fall, Winter… and Spring by Ki-duk Kim.
More directly, I’ve collaborated a ton with curator and artist, Max
Guy. Though we mostly work in different mediums, I trust his opinions a
lot. I think I’ve been lucky to have such a smart person in my life.
Perhaps friendships like his have been even more valuable to me than
having art-idols like the above. Max wrote
the catalog essay for Rock Line.
HCLT: Tell us about your current body of work.
MP: Rock Line is a series of drawings and
animations. They’re laboriously rendered with a very thin mechanical
pencil, requiring me to move slowly over the surface of the objects I
draw. Though not quite the same as photorealism (I don’t draw from
photographs unless I’m drawing the actual paper the photograph is
printed on) I try and include as much detail as possible. While
working–I always learn something new and unexpected about the objects
I’m in communion with. Despite what I usually think something looks like
before I begin, the subjects ‘push back,’ so that a foot may
surprisingly mirror materials like rock and stone. Similarly, the time I
spend drawing is time I tend to diminish my own self-awareness. In
today’s world of technological milieu, how often do we carefully look at
our surroundings? How often do we read without first assuming a
personal bias? The drawings record my own subjectivity, and hopefully
describe ambiguity in our physical world.
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Miranda Pfeiffer, Rock Covered by a Shadow, 2015. Graphite on Rives BFK, 24 x 24 inches. |
HCLT: What do you think is the most valuable art experience in the Carolinas right now?
MP: When I was in high school, I was lucky enough to
attend UNCSA’s arts boarding school in Winston Salem. It’s an
incredible resource for the Carolinas. Like me and so many others, UNSCA
has and continues to develop the minds of young creatives. In terms of
this question, I think the experience isn’t solely what its artists make
now, but what its alumni will become. The school forever changed my
life and I couldn’t be more grateful that North Carolina had such a
unique program. It’s incredibly uncommon and I wish for the sake of the
rest of the country that it wasn’t. Everyone knows arts-funding can be
very tight. What UNCSA does with such young artists and such a tight
budget has always amazed me. I strongly suggest visiting the program and
taking in a concert, performance, film series or art show.
HCLT: What is your number one art piece/place/event in this area?
MP: The Mint Museum is my favorite art-space in
Charlotte. In particular, they have some really beautiful Mesoamerican
artifacts. The aesthetic sensibilities of these objects can really
surprise a viewer, and they often explain fantastic myths or historical
events from that period. My favorite Mayan artifacts often describe the
illusive night sky, and sometimes point to other iterations of our
world. (The Mayan’s believed that time was cyclical.)
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Miranda Pfeiffer, Wood, 2015. Animated Gif. |
HCLT: What book is on your nightstand right now?
MP:
The Portable Hannah Arendt Edited by Peter Baehr, and
South, The Endurance Expedition by Ernest Shackleton. (See below)
HCLT: Best meal in the Charlotte area?
MP: When I’m in town I always go to
Lupie’s and order veggie chili, cornbread and sweet tea.
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Miranda Pfeiffer, Explosion, 2015. Print on heavy linen, dimensions vary. |
HCLT: Where can we see your work?
MP: At CPCC’s Ross Gallery! My show,
Rock Line,
is currently on display with an opening Thursday, January 28th from 5 –
7PM. I promise to not be a secretly antisocial potato! The show
includes recent graphite drawings, animations and textile designs. I’ll
be giving a talk that same day,January 28th at 1 pm in Tate Hall at
CPCC.
HCLT: What is up next?
MP: Currently, I’m working on an animated short that
describe’s, Antarctic explorer, Ernest Shackleton’s rescue in 1916. The
film is about him returning from a wild and bleak landscape of
antarctica and realizing that the civilized world he was longing has
mutated into the violent battlegrounds of World War 1. It’s a real
departure for me since I’m working in color, trying very hard to depict
the almost otherworldly pink skies of Antarctica. [Warning!] This clip
is a bit gorey, but I sometimes post little in-progress snippets like
this on my Instagram. I hope to have the whole animation completed by June 2016.